The Commonwealth Short Story Prize is awarded annually for the best piece of unpublished short fiction from any of the Commonwealth’s 54 Member States. It is the only prize in the world where entries can be submitted in Bengali, Chinese, English, French, Greek, Malay, Portuguese, Samoan, Swahili, Tamil, and Turkish. Such linguistic diversity in a short story prize in part reflects the richness of the Commonwealth, not least its many and varied literary traditions.
The stories on the 2020 shortlist were selected from 5107 entries from 49 Commonwealth countries.
Chair of the Judges Ghanaian writer and editor Nii Ayikwei Parkes said,
‘Beyond their basic plots, the best stories are elevated by the language in which they are told. In this judging process, the fine language has also undoubtedly been that of my fellow judges, who add nuance,colour, fun and a profound knowledge of trends in their regions to discussions. The result of the time we’ve spent indulging in the submissions to the Commonwealth Short Story Prize is a shortlist of 20 unique stories.
These stories, drawn from all over the globe, are as harrowing as they are uplifting, funny while being tragic—and defiant in the face of politics, bigotry and injustice. But, crucially, at a time like this, with the world beset with myriad challenges and a devastating virus, the stories are grounded in faith, hope and the humanity we all share.’Due to the current COVID-19 pandemic, we have commissioned a short film of the shortlisted authors sharing their personal insights into how they have been affected by the virus in different parts of the world under the hashtag #StoriesToConnectUs. The film will be available to watch here from 21 April: www.commonwealthwriters.org.
Anne T. Gallagher AO, Director–General of the Commonwealth Foundation, the intergovernmental organisation which administers the prize, commented,
‘Once again, the short story prize has confirmed the depth and diversity of the literary culture across the Commonwealth of Nations: 54 countries that together represent over two billion people. We celebrate the authors on this shortlist for their technical and creative skill. Perhaps even more importantly, we thank them for the timely reminder of the power of storytelling, not least its ability to comfort, inspire and heal.’
The 2020 shortlist in full:
AFRICA
‘The Dawning’ by Aba Asibon (Ghana)
‘When a Woman Renounces Motherhood’ by Innocent Chizaram Ilo(Nigeria)
‘Rites Evasion Maneuvers’ by Caleb Ozovehe Ajinomoh (Nigeria)
‘The Faraway Things’ by Alboricah Tokologo Rathupetsane (South Africa)
‘Fatou vs. the Dictator’ by ML Kejera (The Gambia)
ASIA
‘The Shedding’ by Nafisa A. Iqbal (Bangladesh)
‘The Great Indian Tee and Snakes’ by Kritika Pandey (India)
‘The Teeth on the Bus Go Round and Round’ by Dinesh Devarajan(India)
‘Ouroboros, Ouroboros’ by Sharmini Aphrodite (Malaysia)
‘An Instruction Manual – How to Find Your Vagina’ by Maham Javaid(Pakistan)
CANADA AND EUROPE
‘Provenance’ by Jason Jobin (Canada)
‘The Eternally Obvious is Not Obvious to Me’ by Marcia Walker(Canada)
‘To Xreos’ (‘The Debt’) by Nikolas Kyriacou (Cyprus) translated from the Greek by Lina Protopapa
‘Wherever Mister Jensen Went’ by Reyah Martin (United Kingdom)
CARIBBEAN
‘Mafootoo’ by Brian S. Heap (Jamaica)
‘Cash and Carry’ by Sharma Taylor (Jamaica)
‘Finger, Spinster, Serial Killer’ by Brandon Mc Ivor (Trinidad and Tobago)
PACIFIC
‘The Art of Waving’ by Andrea E. Macleod (Australia)
‘Attention’ by Catherine Chidgey (New Zealand)
‘A Breath, a Bunk, a Land, a Sky’ by Fiona Sussman (New Zealand).
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